In a few weeks, I will be twenty-eight years old. Twenty-eight and still single. Always single.
So I took that courageous first step: I quit my job. I turned in my two-week notice and hoped beyond hope that I hadn’t made a stupid decision. I felt stupid walking away from a job without another one lined up, but I suddenly felt so very free to go for my dreams again, to be me – artsy, creative, unique, interesting. But unemployment is no man’s friend. Not only are you not earning money, you are stuck at home way too much, you have no money to go adventuring (unless, of course, your previous job was lucrative and you were a good saver), and you feel down in the dumps about your worth as a person. You spend so much time writing applications about how wonderful you are at everything, only to get turned down over and over again. It’s exhausting!
Last year, I said that I would write a post about Kenneth Branagh’s film Cinderella and I have not yet fulfilled that promise. The blog post I shared in my previous Cinderella post is so wonderful that I dug myself into a hole trying to top it.
If you haven’t already, you should definitely watch Cinderella. It’s a gorgeous spectacle, a lovely story, and will surprise you at how skillfully this well-known story is retold. When I went into the theater last year to watch this film for the first time, I expected to enjoy it based on the fact that Cinderella was my favorite Disney princess when I was younger. When I left the theater, my cheeks were tear-streaked and I felt a wonderful lightening of heart. I knew Kenneth Branagh was a good director, but after seeing this film, I am convinced I will like any film he has made or will make in the future. Not only was Branagh brilliant, but the costumes designed by Sandy Powell were beautiful, dreamy, creative, colorful, and a wonderful mixture of historical accuracy and artistic fairy-tale-story license. Patrick Doyle‘s music is a fairy tale in itself, fitting the film perfectly. His music nearly always sounds like it comes from a fairy-tale; his use of strings makes it magical. And then there’s Dante Ferretti, whose sets are exquisitely and expensively extravagant, detailed, and lush. This film is such a rich experience for the senses that it seems you can taste it.
You may have been wondering for the past few weeks why the images that are usually on my blog are black. You may not have noticed at all. Or you may not have visited since my last post. I do hope that last sentence is not the case, but if it is, that is quite all right too. Whether you noticed the black at the top of the page or not – whether you have visited or not – I am glad you are here now. Please keep visiting.
I am so proud of Essena O’Neill. I did not know of her before, but after hearing from Joy the Baker of what she has done, I just want to yell from the rooftops, “GO GIRL!” If you do not know who this girl is (like I did not know until just yesterday), Essena O’Neill is a nineteen-year-old girl who became famous through her presence on social media. It seems that the main way she used social media in the past was through modeling and uploading photos of herself… Correct me if I’m wrong… She got sucked under by the drug of followers, likes, and worldwide social media approval. But as of only a few weeks ago, she has come up for air and sworn off social media by way of a new blog called “Lets Be Game Changers” (elimination of apostrophe her choice, certainly not mine).
Last night, I showed one of my recent favorite films to my mom, the movie NINE. I must confess that she was rather taken aback by the raciness of the first half of the movie, but I think she appreciated the film in the end. After all, the women on the screen of NINE are more clothed than many bikini wearers you see out in public. The songs may be talking about sex, and the dances suggesting it, but it’s not nearly as disturbing as watching actors pretend to have sex on screen. And the costumes, music, storyline, actors, and the way in which it is filmed are all fabulous! So I don’t mind so much. (But, still, if you were planning on watching this with your kids, think twice – thrice – unless, of course, your kids are planning to watch it with their friends no matter what. In that case, perhaps you should watch and discuss it with them instead of leaving them to sift through their thoughts on their own. This film may be rated PG-13, but R would be more appropriate.)
Once you get through the first half of the film, you begin to learn more about the main character, Italian film director Guido Contini, and just how burdened he is. Guido Contini (played by the incredible Daniel Day-Lewis) is the biggest reason I love this movie. There are so many times that I have (and do) feel just as trapped, perfectionistic, artistically stuck, and directionally confused as Contini.